A shining example of why New Orleans hip-hop mattered, it reached No. Of course, Back That Azz Up did a lot of the heavy lifting, providing a handclap anthem for raunchy gentlemen’s clubs and liberating house parties alike. Not to diminish what No Limit’s roster achieved contemporaneously, but Juvenile’s music reached places and ears that few rappers from the area had ever or would ever get to. Selling more than four million copies in just two years, 400 Degreez put Cash Money on the proverbial map. Sometimes, he provided the melody hook as on Gone Ride With Me, though other times like Ha he rapped erratically off the beat like some Blueface ancestor. Cultivating a contemporary sound indebted to the New Orleans funk tradition, his tracks reverberated off of Juvenile’s words. Ghetto Children and the title track told compelling tales in miniature, a style considerably different from the longform godfather epics favored by boom bap dons and one that continues today in trap.Įqually deserving of the credit here, Mannie Fresh did more than lay down beats. One of its biggest singles, Ha, took a facetiously detached second-person approach to dissect a culture of hustlers and hangers-on, a crucial read of the moment that prompted self-identification. Over synthesizer-heavy instrumentals courtesy of in-house producer Mannie Fresh, Juvenile rapped about what he knew, recalling experiences and making references that listeners from Louisiana and other parts of the South could relate to far more than another gangsta yarn about Compton or Harlem. Yet it was his third overall album, 400 Degreez, that changed the game. Co-founders Bryan “Birdman” Williams and Ronald “Slim” Williams also made sure to include him in a quartet known as the Hot Boys that boasted labelmates B.G., Lil Wayne, and Turk for the October crew debut Get It How U Live. While everyone has their respective favorites from that particularly pivotal year (one that brought us Big Pun’s Capital Punishment and DMX’s Flesh Of My Flesh Blood Of My Blood), the impact and legacy of Juvenile’s 400 Degreez easily makes it 1998’s most meaningful contribution to the overall discography of rap.Ī New Orleans native who counted the city’s now-demolished Magnolia Projects as a home, Juvenile officially linked up with Cash Money early in 1997, dropping his first album for the label ( Solja Rags) that May. Very few, if any, of those sales were reported to the RIAA or SoundScan.īreaking beyond those local customs, Master P’s Ghetto D and Mystikal’s Unpredictable, among others, handily earned RIAA platinum status in 1998, with some going on to do even greater such certifications. Often excluded from airwaves and other means exposure outside of select regions in previous years, Southern rappers had long adapted to their situation by selling records in unconventional ways: neighborhood mom-and-pop shops and out of car trunks. A reckoning was inevitable.Īlmost simultaneously with this grim moment in rap history, New Orleans-based imprints Cash Money and No Limit were proving they could push album units in significant numbers, thanks in no small part to the deals they’d signed with major label groups. The toxic narrative that pitted rappers against one another by geography for so long had assuredly contributed to the tragic loss of two of the genre’s most beloved titans. in 19 inadvertently broadened the conversation beyond the east and west. The respective murders of 2Pac and The Notorious B.I.G. #Juvenile 400 degreez u.p.t fullThough absurd in Internet-age retrospect - which since revealed the full extent of what actually was happening in these vibrant yet overlooked scenes - the legitimacy of hip-hop cities below the Mason-Dixon line in particular was once in question, a product of media-supported fixation. Flare ups outside of Los Angeles and New York like the Miami bass boom that spawned 2 Live Crew or the Houston rap breakthrough of The Geto Boys weren’t granted the necessary oxygen to bring the heat of those cities into the national conversation. While today we celebrate its myriad forms everywhere from Atlanta to Seoul, for much of the time after its unruly birth in The Bronx this music seemed the sacred property of two very specific urban locales. Throughout its first two decades, people mistook hip-hop for a coastal phenomenon. Ya seen that 98 mercedes on t.v.400 Degreez by Juvenile is the hip-hop Record Of The Month for Vinyl Me, Please. mp3ĮMD music offers a premium experience that includes unlimited downloads and access to CD quality music. #Juvenile 400 degreez u.p.t how toLearn how to download music to your computer. Live concert albums of your favorite band. Top hit songs are in the MP3 format and can be played on any computer, laptop, phone or MP3 Player. Search and download from millions of songs, albums and concerts.
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